He anchored Into the Spider-Verse, which was buoyant and slick.Īcross the Spider-Verse vibrates with the same energy as its predecessor even when it feels more leaden with backstory. He was funny, very cool and well-versed in his franchise’s history. Miles Morales, a Puerto Rican and African American kid who loved to tag the city walls with his art, was a new kind of superhero. That film, which went on to win the Academy Award for Animation in 2018, was special because it shed the self-consciousness that plagued so many contemporary superhero adaptations. Spider-Man: Into the Spider-Verse wowed and wooed audiences with its limber storytelling, inventive animations and refreshing humor. The set piece - with its kinetic animation and self-aware dialogue - represents some of the best parts of the Spider-Verse series. At each intersection, Miles’ senses go off, pulling the teen into a new crime-fighting situation and making him increasingly late for this very important meeting.

Early in this much-anticipated follow-up, we see the two adults impatiently waiting in the guidance counselor’s office as their son slowly makes his way across town.

When not chasing foes or signing brand deals, he’s attending classes at his tony magnet school, preparing to apply to college and trying to find enough time to spend with his parents, Jefferson (Brian Tyree Henry) and Rio (Luna Lauren Velez). Screenwriters: Phil Lord, Christopher Miller, David Callahamīut Miles, now 15, is also a teenager, which means protecting New Yorkers isn’t his only concern. Cast: Shameik Moore, Hailee Steinfeld, Brian Tyree Henry, Luna Lauren Velez, Jake Johnson, Jason Schwartzmanĭirectors: Joaquim Dos Santos, Kemp Powers, Justin K.

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